Nigeria has a long history surrounding arts-in-education, which, in many African countries, often blends with community-based art. As such, participatory arts often provide inspiration for young people in under-resourced areas where options for employment or further education are extremely limited and the temptations of less desirable career paths are ever present.
In the second half of the 90s, Segun Adefila, himself a young man at the time, discovered the potential of the arts and, together with some friends, founded Crown Troupe of Africa. Since then, this collective has been co-creating art with youngsters in the Bariga township of Lagos, exploring dance, theatre, music and visual arts through their grassroots activities. They also produce multidisciplinary arts festivals in their neighbourhood, thus providing a much-needed cultural offer – and arts infrastructure for local residents.

Naomi Alexander
Europe, United Kingdom, Brighton

Listening Lab
North America, United States, New York

Mariah en Makayla Madill
North America, Canada

Het Laagland

Los angeles poverty department
North America, United States, Los Angeles

Beijing Theatre
Asia, China, Beijing

CTO-Maputo Centro de Teatro do Oprimido
Africa, Mozambique

Bart Huijser
Europe, The Netherlands, Rotterdam
