Este libro est\u00e1 escrito desde el amor hacia la pr\u00e1ctica del teatro social, el trabajo comunitario, la creaci\u00f3n colectiva y el teatro. Nos situamos claramente desde el convencimiento de que el teatro social ofrece recursos reales para una transformaci\u00f3n global positiva y justa. Pensamos que es \u00fatil, necesario y urgente.<\/p>\n\n\n\n
Confiamos profundamente en las personas y en la cultura en sentido amplio, as\u00ed como en la belleza como forma de acci\u00f3n pol\u00edtica. Por otro lado la exploraci\u00f3n sobre los puntos de encuentro entre la creaci\u00f3n esc\u00e9nica y la investigaci\u00f3n social genera impulsos mutuos de los que aqu\u00ed hemos dejado una humilde constancia, esperando promover el inter\u00e9s en este sentido. La mirada feminista y desde el enfoque de la investigaci\u00f3n participativa, aportan sendas amortiguaciones cr\u00edticas a las muchas dudas y recovecos presentes en estos procesos. Escrito a partir de experiencias en Andaluc\u00eda, sobre igualdad, g\u00e9nero y relaciones afectivas, ofrece una interconexi\u00f3n entre lo particular y lo global, con el \u00e1nimo de ser aplicable a otros contextos y tem\u00e1ticas.<\/p>\n\n\n\n
Con todo ello, subyace a este libro una motivaci\u00f3n divulgativa: dar a conocer el teatro social y de las oprimidas; una motivaci\u00f3n t\u00e9cnica: ofrecer informaci\u00f3n \u00fatil para clarificar teor\u00eda, metodolog\u00eda y pr\u00e1ctica, que pueda servir como acompa\u00f1amiento en procesos formativos o de intervenci\u00f3n. Y, por \u00faltimo, una motivaci\u00f3n pol\u00edtica: poner en valor la complejidad y la riqueza del teatro social, tratando de contribuir a nuestro empoderamiento como trabajadoras y trabajadores en un momento marcado por la creciente profesionalizaci\u00f3n, as\u00ed como a la responsabilizaci\u00f3n sobre el uso de las metodolog\u00edas de teatro social y del trabajo con grupos.<\/p>\n\n\n\n
<\/p>\n\n\n\n
This book is written from the love of the practice of social theater, community work, collective creation and theater. We clearly position ourselves from the conviction that social theater offers real resources for a positive and fair global transformation. We think it is useful, necessary and urgent.<\/p>\n\n\n\n
We deeply trust people and culture in a broad sense, as well as beauty as a form of political action. On the other hand, the exploration of the meeting points between scenic creation and social research generates mutual impulses of which we have left a humble record here, hoping to promote interest in this sense. The feminist perspective and from the participatory research approach provide critical cushioning to the many doubts and nooks present in these processes. Written from experiences in Andalusia, about equality, gender and emotional relationships, it offers an interconnection between the particular and the global, with the aim of being applicable to other contexts and themes.<\/p>\n\n\n\n
With all this, an informative motivation underlies this book: to make known the social theater and of the oppressed; a technical motivation: to offer useful information to clarify theory, methodology and practice, which can serve as support in training or intervention processes. And, finally, a political motivation: to value the complexity and richness of social theater, trying to contribute to our empowerment as workers at a time marked by growing professionalization, as well as responsibility for the use of methodologies of social theater and work with groups.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
Este libro est\u00e1 escrito desde el amor hacia la pr\u00e1ctica del teatro social, el trabajo comunitario, la creaci\u00f3n colectiva y el teatro. Nos situamos claramente desde el convencimiento de que el teatro social ofrece recursos reales para una transformaci\u00f3n global positiva y justa. Pensamos que es \u00fatil, necesario y urgente. Confiamos profundamente en las personas y en la cultura en sentido amplio, as\u00ed como en la belleza como forma de acci\u00f3n pol\u00edtica. Por otro lado la exploraci\u00f3n sobre los puntos de encuentro entre la creaci\u00f3n esc\u00e9nica y la investigaci\u00f3n social genera impulsos mutuos de los que aqu\u00ed hemos dejado una humilde constancia, esperando promover el inter\u00e9s en este sentido. La mirada feminista y desde el enfoque de la investigaci\u00f3n participativa, aportan sendas amortiguaciones cr\u00edticas a las muchas dudas y recovecos presentes en estos procesos. Escrito a partir de experiencias en Andaluc\u00eda, sobre igualdad, g\u00e9nero y relaciones afectivas, ofrece una interconexi\u00f3n entre lo particular y lo global, con el \u00e1nimo de ser aplicable a otros contextos y tem\u00e1ticas. Con todo ello, subyace a este libro una motivaci\u00f3n divulgativa: dar a conocer el teatro social y de las oprimidas; una motivaci\u00f3n t\u00e9cnica: ofrecer informaci\u00f3n \u00fatil para clarificar teor\u00eda, metodolog\u00eda y pr\u00e1ctica, que pueda servir como acompa\u00f1amiento en procesos formativos o de intervenci\u00f3n. Y, por \u00faltimo, una motivaci\u00f3n pol\u00edtica: poner en valor la complejidad y la riqueza del teatro social, tratando de contribuir a nuestro empoderamiento como trabajadoras y trabajadores en un momento marcado por la creciente profesionalizaci\u00f3n, as\u00ed como a la responsabilizaci\u00f3n sobre el uso de las metodolog\u00edas de teatro social y del trabajo con grupos.<\/p>\n
This book is written from the love of the practice of social theater, community work, collective creation and theater. We clearly position ourselves from the conviction that social theater offers real resources for a positive and fair global transformation. We think it is useful, necessary and urgent. We deeply trust people and culture in a broad sense, as well as beauty as a form of political action. On the other hand, the exploration of the meeting points between scenic creation and social research generates mutual impulses of which we have left a humble record here, hoping to promote interest in this sense. The feminist perspective and from the participatory research approach provide critical cushioning to the many doubts and nooks present in these processes. Written from experiences in Andalusia, about equality, gender and emotional relationships, it offers an interconnection between the particular and the global, with the aim of being applicable to other contexts and themes. With all this, an informative motivation underlies this book: to make known the social theater and of the oppressed; a technical motivation: to offer useful information to clarify theory, methodology and practice, which can serve as support in training or intervention processes. And, finally, a political motivation: to value the complexity and richness of social theater, trying to contribute to our empowerment as workers at a time marked by growing professionalization, as well as responsibility for the use of methodologies of social theater and work with groups.<\/p>\n","protected":false},"featured_media":331,"template":"","topic":[419,404],"language":[368],"item_types":[399],"authors":[624],"editors":[],"publishers":[608],"publication-formats":[],"media-formats":[],"licenses":[],"class_list":["post-330","library_item","type-library_item","status-publish","has-post-thumbnail","hentry","topic-dramaturgy","topic-gender","language-spanish","item_type-book","author-patricia-trujillo-lopez","publisher-neret-edicions"],"acf":[],"section":"read","featured_image_type":"portrait","placeholder":null,"authorsLabel":"Patricia Trujillo L\u00f3pez","itemTypesLabel":"Book","thumbnail":{"caption":false,"media_details":{"sizes":{"full":{"source_url":"https:\/\/icafrotterdam.com\/library\/wp-content\/uploads\/sites\/4\/2024\/03\/Image_12.jpg"},"medium":{"source_url":"https:\/\/icafrotterdam.com\/library\/wp-content\/uploads\/sites\/4\/2024\/03\/Image_12-219x300.jpg"}}}},"_links":{"self":[{"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/library_items\/330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/library_items"}],"about":[{"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/types\/library_item"}],"version-history":[{"count":4,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/library_items\/330\/revisions"}],"predecessor-version":[{"id":642,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/library_items\/330\/revisions\/642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/media\/331"}],"wp:attachment":[{"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/media?parent=330"}],"wp:term":[{"taxonomy":"topic","embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/topic?post=330"},{"taxonomy":"language","embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/language?post=330"},{"taxonomy":"item_type","embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/item_types?post=330"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/authors?post=330"},{"taxonomy":"editor","embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/editors?post=330"},{"taxonomy":"publisher","embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/publishers?post=330"},{"taxonomy":"publication_format","embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/publication-formats?post=330"},{"taxonomy":"media_format","embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/media-formats?post=330"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/icafrotterdam.com\/library\/wp-json\/wp\/v2\/licenses?post=330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}