{"id":670,"date":"2022-12-15T11:49:26","date_gmt":"2022-12-15T10:49:26","guid":{"rendered":"https:\/\/icafrotterdam.com\/festival\/productions\/dr-emilie-diouf-ndeye-amina-seck\/"},"modified":"2023-01-25T14:33:45","modified_gmt":"2023-01-25T13:33:45","slug":"dr-emilie-diouf-ndeye-amina-seck","status":"publish","type":"production","link":"https:\/\/icafrotterdam.com\/festival\/nl\/productions\/dr-emilie-diouf-ndeye-amina-seck\/","title":{"rendered":"Workshop"},"content":{"rendered":"\n<p>Op ICAF 2023 bundelen Dr. Emilie Diouf en Amina Seck hun academische, artistieke en activistische krachten om in een gezamelijke workshop creatieve reacties tegen gender-gerelateerd geweld in Africa te onderzoeken. Zij besteden in het bijzonder aandacht aan hoe cultuur- en nationale grenzenoverschrijdende samenwerking tussen kunstenaars, wetenschappers en gemarginaliseerde gemeenschappen als ethische partnerschappen beschouwd kunnen worden, Daarbij is het van belang dat dekoloniale perspectieven en een bewustzijn van verschillende lagen van voorrecht worden meegenomen. In hun workshop besteden Emilie en Amina speciale aandacht aan <em>ubuntu<\/em> en gender rechtvaardigheid.<\/p>\n\n\n\n<p>Dr. Emilie Diouf is Universitair Docent in de vakgroep Engels van Brandeis University in Boston. Haar onderzoek en onderwijs reflecteren haar interdisciplinaire achtergrond in Afrikaanse literatuur, Afrikaanse Studies, Afro-Amerikaanse Studies en Vrouwen- en Genderstudies. Emilie is ge\u00efnteresseerd in de relatie tussen verhalen, migratie, trauma en mensenrechten. Ze wil met name de stemmen van gevluchte Afrikaanse vrouwen bij Trauma Studies betrekken. Ze integreert de verhalen van Afrikaanse vrouwelijke overlevenden van burgeroorlogen en genocide in Trauma Theorie. Naast haar academische activiteiten is Emilie in haar thuisland Senegal actief als feministisch activist. Zij is daar lid van een feministisch collectief, draagt bij aan feministische platforms, heeft een Vrouwenliteratuur Festival georganiseerd en \u2013 samen met Amina \u2013 de allereerste Vrouwen Boekenbeurs in Dakar.<\/p>\n\n\n\n<p>Amina Seck is auteur en scenarioschrijver. Haar eerste roman, \u201cMauvaise Pente\u201d [\u2018slechte helling\u2019], kwam in 2017 uit bij uitgeverij Diaspora Acad\u00e9mie. Ze nam in 2018 ook deel aan het collectieve werk van de \u2018Afrikaanse Koninginnen,\u2019 \u201cMartelaar Luther Koninginnen\u201d. Daarnaast schreef ze het script en regisseerde ze de korte film \u201cOnrein\u201d, over vrouwenbesnijdenis. Deze productie werd in 2018 gefilmd in S\u00e9gou, Mali. In 2021 richtte Amina \u201cLes Cultur\u2019elles\u201d [\u2018de zij-culturen\u2019], een organisatie die cultuur en kunst van vrouwen promoot door trainingen, residenties voor kunstenaars, symposia en de productie van collectieve kunstuitingen. Samen met Emilie is ze initiatiefnemer van de Dakar Vrouwen Boekenbeurs, die in mei 2023 voor de tweede keer wordt gehouden. Ze is ook mede-oprichter van het Feministenplatform van Senegal en de Diaspora. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Op ICAF 2023 bundelen Dr. Emilie Diouf en Amina Seck hun academische, artistieke en activistische krachten om in een gezamelijke workshop creatieve reacties tegen gender-gerelateerd geweld in Africa te onderzoeken. Zij besteden in het bijzonder aandacht aan hoe cultuur- en nationale grenzenoverschrijdende samenwerking tussen kunstenaars, wetenschappers en gemarginaliseerde gemeenschappen als ethische partnerschappen beschouwd kunnen worden,&hellip;<\/p>\n","protected":false},"featured_media":1665,"template":"","topic":[],"editions":[406],"festival_production_types":[421],"class_list":["post-670","production","type-production","status-publish","has-post-thumbnail","hentry","edition-2023-nl","festival_production_type-korte-workshop"],"acf":{"makers":[{"ID":4125,"post_author":"601","post_date":"2022-09-22 14:03:41","post_date_gmt":"2022-09-22 12:03:41","post_content":"<!-- wp:paragraph -->\n<p>Emilie Diouf\u2019s research and teaching reflect her interdisciplinary background in African Literature, African American and African Studies, as well as Women\u2019s and Gender Studies. She is interested in the relationship between narrative, migration, trauma, and human rights, particularly expanding the field of trauma studies to include more substantially the voices of African women refugees. Since African women refugees trauma narratives represent subjectivities shattered by violence, they are imbricated into the socio-economic and political transits of cultural production, circulation, and reception. She uses trauma theory to explore the ways in which African women survivors of civil war and genocide narrate the large-scale violence inflicted upon them.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Emilie\u2019s research in African women\u2019s literature forms a bridge to Francophone Caribbean Women's literature, and to black feminist theory. Comparisons of various women\u2019s cultural productions across the African Diaspora enhance critical inquiry into systemic violence and the promotion of gender justice. Emilie is interested in diversifying the field of feminist studies through cross cultural analysis that allows us to rethink new feminist paradigms that could take into consideration Black women\u2019s unique conditions.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Emilie teaches at Brandeis University in the Department of English. Her published work includes: \"Movement of the Female Body: Re-imagining Black Diasporic Women\u2019s Writings.\" In \"New Frontiers in the Study of the Global African Diaspora: Between Unchartered Themes and Alternative Representations.\" Edited by Glenn Chambers, R. Kiki Edozie, and Tama Hamilton-Wray. MSU Press, Forthcoming 2017. \"I Just Wanted To Forget It All. But It Was Impossible:\" Umutesi and the Politics of Testimony in Surviving the Slaughter: The Ordeal of a Rwandan Refugee in Zaire.\" In \"Under Fire: Critical Discourses on African Women in War and Conflict.\" Edited by Pauline Ada Uwakweh. 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